![]() ![]() Recent contributions to exhibition catalogues include an essay on Renoir’s use of fashion in his painting La Loge, in an exhibition at the Courtauld Institute: Renoir at the Theatre. In 2018 she received an Iris Foundation Award for Outstanding Contributions to the Decorative Arts, from the Bard Graduate Center, New York. ![]() ![]() Fischelis Book Award by the Victorian Society in America for 2004. She has acted as costume consultant/contributor to many major exhibitions, which include: Reynolds (Royal Academy of Arts, London: 1986) Winterhalter and the Courts of Europe 1830 to 1870 (National Portrait Gallery, London: 1987 and the Petit Palais, Paris: 1988) John Singleton Copley in America, Museum of Fine Arts, Boston,1995 Goya: La imagen de la mujer (Prado, Madrid: 2001 and National Gallery of Art, Washington: 2002) Whistler, Women and Fashion (Frick Collection, New York: 2003) – the catalogue of this exhibition was given the William E. ![]() She has published many books and articles on various aspects of the history of dress, and lectures widely in Great Britain, Europe and North America. She sit on the board of the British Art Journal. She was Head of the History of Dress Section at the Courtauld Institute from 1975 to 2009 appointed Professor in the History of Art at the University of London in 2000, she is now Professor Emeritus. Aileen Ribeiro read history at King’s College, London, followed by postgraduate study, MA (1971) and Ph.D (1975) at the Courtauld Institute of Art. ![]()
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